A character who experiences an acceptable change, not a real individual fixing to one particular, reported case. In any case, Arnold offers the narrative mixture greatly well, grafting bits of “real film” into the photo intermittently. These goodies are shockingly compelling. There isn’t very much to find in the method for this assumed genuine film, and I believe Arnold’s choice to minimalize the narrative component of the piece loans a feeling of legitimacy to the creation.
He never goes over the edge endeavoring to offer this recorded film, he basically joins a sprinkle here and a dash there to add a one of a kind element to the film’s story.