But then, the narrative is an empty ordeal, sincerely smothered by its plotless nature and absence of any visual edge. It’s a well meaning film that has a considerable measure at the forefront of its thoughts yet without a holding approach to pass on its enthusiasm, even by volleying between three unique individuals who have encountered the effect of the cartels direct.
Working with those whose friends and family have vanished is the stalwart Sister Consuelo Morales. We see her conversing with troubled families in Monterrey, Mexico, who walk down the road with pictures of their loved ones on shirts and publications. Ruiz sporadically demonstrates Sister Morales in real life, picking more to paint a limit picture of a potential uselessness for these walks, particularly when their friends and family have been absent for a considerable length of time, and the police compel is known to be degenerate.